David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire
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Hence the reluctant three stars, despite the hideous attempt to use quantum mechanics to find ways to explain Lynch's films without primary recourse to Lynch's essentially mystical I think reliance on concepts and ideas from Hinduism and Buddhism to her credit, Nochimson doesn't ignore Lynch's worldview and the rather obvious relevance of it to his art; she discusses it frequently in this book and, in one of her earlier books, adopts a Jungian approach, which certainly is better suited to reading Lynch than fucking Freud or Lacan. May 31, michael audet rated it liked it Shelves: read-in Apr 11, Brett rated it really liked it.
Though not without some significant flaws, this is as interesting and insightful a read of Lynch and his films that I've come across. As a number of other reviewers have noted, to make sense of his most recent and most resistant to interpretation films, Nochimson leans a bit too heavily on a fairly contrived framework of 'modern physics' mostly quantum mechanics, which, she seems not to realize, is merely a portion of 'modern physics'.
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This is the aspect of her theory that I think works Though not without some significant flaws, this is as interesting and insightful a read of Lynch and his films that I've come across. This is the aspect of her theory that I think works least and is least necessary, as the work it does could have been done much more effortlessly without the invocation to a complicated, highly mathematical physical theory, interpretations of which remain almost as controversial as when they were conceived.
However, her reading of Lost Highway, Mulholland Drive, and particularly Inland Empire shed a significant amount of light on films notoriously difficult to interpret. Where I think the book, and Nochimson's theory, is lacking is that she focuses almost exclusively on the intellectual aspects of the films at the expense of the deeply visceral, stirring, unsettling and emotional experience they provide - both visually and, at least as importantly, aurally - that Lynch has created.
Occasionally she does refer to the visual and even less audio design of specific scenes, but almost always she couches it into a discussion the primary focus of which is intellectual, idea-based, rather than exploring it on its own merit. As she does recognize these aspects, it wouldn't be correct to call this an oversight, but it is a recasting, a misdirection, and an oversimplification - and it is glaring.
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Lynch excels, almost more than any other filmmaker, at creating worlds, an atmosphere, at shaping the mood, at evoking specific feelings, and at enveloping the audience in an intensely arresting and destabilizing experience. To me, it's the experience rather than the ideas that he provides that sets him apart, wholly and distinctly. Now, the ideas he has and that inform his works are interesting and unique as well, and Nochimson does a good job piecing them out and making sense of them in a more logical fashion than they play out on screen.
This is no small feat.
But, her telling relates only one side of the coin, an emphasis of both sides of which are of the utmost importance if a full appreciation of Lynch is to be achieved. A well argued and worthwhile, yet incomplete, work. View 1 comment. Oct 25, Matt rated it liked it Shelves: reviewed. There's no doubt this book presents a useful new critical framework for trying to construct coherent readings of Lynch's at times challenging late works. In particular, her chapter on Inland Empire does a better job at making sense of that twisted narrative than probably anything else I've read about the film.
I also agree with her basic thesis that the most common interpretation of the narrative peculiarities in these films, that they represent dreams or fantasies of the characters, is wrong. However, I got annoyed with her pretty flimsy grasp of the ideas of quantum mechanics themselves and her sloppy usage of physics terminology in attempting to apply those ideas to the films. There's a bit of a grasping-at-straws quality to her attempts at making every single event in the films fit her reading, the chapter on The Straight Story being the most flagrant example of this.
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Nonetheless I enjoyed the book and think it breaks new ground in Lynch studies. Jul 08, Arthur Vincie rated it it was amazing. The book on Lynch out there, surpassing even Prof. Jan 19, Robert rated it it was ok. Jesse rated it liked it May 22, Fujdur rated it it was ok Jan 12, David Gerber rated it liked it Feb 20, Kat rated it really liked it Jan 11, Garret O'Malley rated it it was ok Jan 10, Duane Porter rated it really liked it Nov 01, Chris Kayliss rated it really liked it Apr 13, Diane Hell rated it really liked it Apr 16, I appreciated interpretations of Lynch films but the rest is a bit boring.
However, I truly recommend this book for people who are curious and open-minded. Jeff rated it it was amazing Dec 03, Gregsamsa rated it it was ok Dec 26, Adrian Bugnar rated it really liked it Apr 26, Hugo Romero rated it really liked it Nov 15, Jeff rated it liked it Jan 12, Butch rated it it was amazing Oct 04, Kyle Gillette rated it it was amazing Jul 05, Andrew Hackett rated it really liked it Aug 25, Nikki rated it liked it Feb 10, Jalal rated it it was amazing Nov 22, Daniel Mazurek rated it really liked it Jan 04, Chris rated it liked it Aug 21, Jean Bosh rated it really liked it Apr 16, Ships in 7 to 10 business days.
David Lynch swerves : uncertainty from Lost highway to Inland empire
Link Either by signing into your account or linking your membership details before your order is placed. Description Table of Contents Product Details Click on the cover image above to read some pages of this book! Critic on Fire Acknowledgments Introduction.
The Perplexing Threshold Experience Chapter 1. Mulholland Dr. Albert Notes Bibliography and Filmography Index. The Making of Alien Alien. In Stock. Ayoade on Ayoade.
David Lynch Swerves Uncertainty from Lost Highway to Inland Empire By Martha Nochimson
Fabien Baron : Works Catching The Big Fish. On Film-making.
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